Bernie wrote this lyric about Matthew Shepard, a gay student at the University of Wyoming.  On the night of October 6th, 1998, Matthew Shepard was brutally beaten and left to die by two men.  The two men did this out of plain hatred deeply rooted in their hearts.  Matthew was a bright young man with a bright future, but his life was cut way to short because someone else didn’t approve of his sexuality.  My stomach turns to think that hatred like this still exists in our society. 

Thank you Elton and Bernie for keeping the memory of Matthew alive.  His sacrifice will never be forgotten.  As you listen to this song please remember that no matter what your political, moral or religious beliefs are, hate is wrong. 

“If you hate a person, you hate something in him that is part of yourself.  What isn’t part of ourselves doesn’t disturb us.”  ~Hermann Hesse

This song is the true definition of piano-folk.  The song moves very quickly but still has a nice easy feel to it.  I’ve always loved this song for many reasons.  Most importantly, one year at Christmas, I bought this album for my mother.  Inside the CD I left her a note that said “Be sure to listen to track number 3, Look Ma No Hands, its for you.”  My mother passed away a few years later, as I mentioned in a previous blog, so this song really rang true.  Through the trials and tribulations I’ve experienced in my life to this point my mother in some way has always been there to support me.  And I picture her proud smile everytime I hear the line “Look ma no hands, look ma aint life grand, I’m a super power and I’m a handy man.  Didn’t I turn out to be everything you wanted ma, aint you proud of me?” 

So without further ado, I want to again dedicate this song to my mother.  I hope you all enjoy what I’ve done with it!  Thanks for your support!

I’ll take a rainy day to make a champagne shower
Poach some horn and tusk to build an ivory tower
Been to Philadelphia the day it was closed
I walked to New Orleans down a Louisiana road

The skeletons they hung from the bushes and the trees
But not a skull among them said boo to me
In a time of wine and cheap cigars I’m on top of the world
Top of the world Ma

Look Ma no hands
Look Ma ain’t life grand
I’m a super power, and I’m a handy man
Didn’t I turn out, didn’t I turn out to be
Everything you wanted Ma
Ain’t you proud of me

It takes a silver tongue to have the Midas touch
Not your alchemist making gold from rust
Been down in Roswell when the Martians came
I sailed to Mandeville across Lake Pontchartrain

The skeletons they hung from the bushes and the trees
But not a skull among them said boo to me
In a time of wine and cheap cigars I’m on top of the world
Top of the world Ma

Didn’t I turn out, didn’t I turn out to be
Everything you wanted Ma
Ain’t you proud of me

© 2001 Happenstance

I hope you all enjoy my rendition of Dark Diamond.  And please feel free to leave comments and suggetions!  Thanks for watching!

Oh, I’m a dark diamond
I’ve turned hard and cold
Once was a jewel with fire in my soul

There’s two sides of a mirror
One I couldn’t break through
Stayed trapped on the inside, wound up losing you

Tell me how does it work?
How do you make things fit?
Spent all my life trying to get it right
I’ve put it together and it falls apart
I thought to myself I might understand
But when the wall’s built, and the heart hardens
You get a dark diamond, dark diamond

Oh, I’m a dark diamond
But you’re something else
You read me more than I read myself

The one star I could count on
Only comet I could trust
You burnt through my life to the true meaning of love

You get a dark diamond, dark diamond
You get a dark diamond, dark diamond

© 2001 Happenstance

After all that explanation, here is why I am so interested in doing this album.  I remember the lead up to this album coming out and hearing all this press about it being Elton’s return to form.  And it truly was a return to form from everything to instrumentation to the way it was recorded.  But to me the most important “return to form” is Elton’s piano work on the album.  It is a fun album to play as a piano player and its chalked full of fantastic piano riffs.  I remember my first listen to the album and thinking, “this is the best thing I’ve ever heard him do.”  And while this may be an over-statement, it’s certainly worthy of a great deal of praise.  The opening track is a totally piano based song that is a very simple striped down ballad, yet it sets the tone for what was undoubtedly Elton’s best effort since the early 80′s if not since his hay-day in the 70′s.

So without further ado, please enjoy my rendition of The Emperor’s New Clothes.  And as always, thank so much for your support and kind words.

We bet on our lives and we bet on the horses
In that upstairs apartment on Orlando and 4th
And the rent was due and the rent man was knocking
Like a Chinese proverb we were always searching

Nightlife’s a no-win but nobody noticed
How we killed off the bottles looking good on the surface
The dog days barked and the house cat got old
We were Bonnie and Clyde in the emperor’s new clothes

And the tears never came
They just stayed in our eyes
We refused to admit that we wore this disguise
Every inch of us growing
Like Pinocchio’s nose
As we walked around in the emperor’s new clothes

We flew by our wits and by the seat of our pants
In the state of illusion in the nation of chance
And the repo was hauling the wreck we’d been driving
As the dashboard Madonna smiled back at us kindly

We cheated the system never batting an eyelid
Seeing only the good through the holes in our shoes
And our halos were rusty but we wore them proudly
We were two little gods in the emperor’s new clothes

We were Bonnie and Clyde in the emperor’s new clothes

© 2001 Happenstance

These two tracks both have some kind of medieval feeling to me.  The King Must Die for obvious reasons and The Cage just creates this medieval imagery for me…not sure why, it just does.  So I suppose it makes sense to combine these two in one vlog!  I also feel they provide an excellent contrast to each other.

So without much further ado, please enjoy my versions of the King Must Die and The Cage.  I’ve decided to start shortening the blogs and making it more about the music.  I’ve had to cut it down because I’m not creating videos at the rate I wanted to.  So I figure if I cut out a little of the busy-work and start cranking out videos, things will run more smoothly.  Also, now that I’ve finished out the Elton John album, I’m tossing around the idea of jumping around to different albums rather than running in straight chronological order.  I think it will spice things up and plus I’ve got an itch to play stuff from Songs From the West Coast, Peachtree Road and The Captain and the Kid.  Any thoughts?!

Thanks as always for your support!

Have you ever lived in a cage
Where you live to be whipped and be tamed
For I’ve never loved in a cage
Or talked to a friend or just waved

Well I walk while they talk about virtue
Just raised on my back legs and snarled
Watched you kiss your old daddy with passion
And tell dirty jokes as he died

But I’m damned when I really care there
For the cellar’s the room in your lives
Where you lace yourself with bad whiskey
And close the cage doors on your life

Well I pray while you bathe in bad water
Sing songs that I learnt as a boy
Then break all the bones in my body
On the bars you can never destroy

© 1969 Dick James Music, Inc.

No man’s a jester playing Shakespeare
Round your throne room floor
While the juggler’s act is danced upon
The crown that you once wore

And sooner or later
Everybody’s kingdom must end
And I’m so afraid your courtiers
Cannot be called best friends

Caesar’s had your troubles
Widows had to cry
While mercenaries in cloisters sing
And the king must die

Some men are better staying sailors
Take my word and go
But tell the ostler that his name was
The very first they chose

And if my hands are stained forever
And the altar should refuse me
Would you let me in, would you let me in, would you let me in
Should I cry sanctuary

No man’s a jester playing Shakespeare
Round your throne room floor
While the juggler’s act is danced upon
The crown that you once wore

The king is dead, the king is dead
The king is dead, the king is dead
Long live the king

© 1969 Dick James Music, Inc.

The lyric is about the birth of Bernie’s younger brother Kit.  This is one of those fantastic Bernie Taupin lyrics that is like watching a little four minute movie.  It is just about how nothing compares to the wonderment and excitement of a new sibling coming into your life.  The lyric is very insightful and does a brilliant job of describing the discovery of a new brother with words that one would not expect.

Elton’s melody flows through the words like they were written together.  The song moves through peaks and valleys that are accentuated by the string arrangement.  I really feel that this is one of Elton’s favorite songs to play in a live setting.  He always seems to mention what the song is about, no matter how many times he plays it.  I sense that he may have a certain attachment to this song because he never got to experience the joy of a sibling. 

I hope you enjoy what I have done with the song.  As always, thank you for stopping by and please feel free to leave feedback.

Peering out of tiny eyes
The grubby hands that gripped the rail
Wiped the window clean of frost
As the morning air laid on the latch

A whistle awakened someone there
Next door to the nursery just down the hall
A strange new sound you never heard before
A strange new sound that makes boys explore

Tread neat so small those little feet
Amid the morning his small heart beats
So much excitement yesterday
That must be rewarded must be displayed

Large hands lift him through the air
Excited eyes contain him there
The eyes of those he loves and knows
But what’s this extra bed just here

His puzzled head tipped to one side
Amazement swims in those bright green eyes
Glancing down upon this thing
That make strange sounds, strange sounds that sing

In those silent happy seconds
That surround the sound of this event
A parent smile is made in moments
They have made for you a friend

And all you ever learned from them
Until you grew much older
Did not compare with when they said
This is your brand new brother
This is your brand new brother
This is your brand new brother

© 1969 Dick James Music, Inc.

The song is one of Elton’s first use of gospel balladry.  I really enjoy when he writes with a gospel feel because his forceful piano playing really accentuates the gospel groove.  This song contains a Paul Buckmaster string arrangement, though much less significant than the one in Sixty Years On.  And, the album cut also utilizes a choir to enhance the gospel feel.  This song is most often played by Elton onstage without his band.  The solid bass line of the song sells itself brilliantly from Elton’s nine-foot grand piano. 

The lyric fits well into a gospel song, or rather the gospel music fits well to the lyric.  It is about alienation and bigotry.  Though most of the song was penned by Bernie Taupin, Elton actually wrote the last verse which most supports the theme of bigotry.

I hope you enjoy my rendition of Border Song!

Holy Moses I have been removed
I have seen the spectre he has been here too
Distant cousin from down the line
Brand of people who ain’t my kind
Holy Moses I have been removed

Holy Moses I have been deceived
Now the wind has changed direction and I’ll have to leave
Won’t you please excuse my frankness but it’s not my cup of tea
Holy Moses I have been deceived

I’m going back to the border
Where my affairs, my affairs ain’t abused
I can’t take any more bad water
I’ve been poisoned from my head down to my shoes
Holy Moses I have been deceived

Holy Moses let us live in peace
Let us strive to find a way to make all hatred cease
There’s a man over there what’s his colour I don’t care
He’s my brother let us live in peace
He’s my brother let us live in peace
He’s my brother let us live in peace

© 1969 Dick James Music, Inc.

Today’s post is the sixth track from the Elton John album, and one of my all time favorite Elton John songs, Sixty Years On.  I love the transformations that Elton has made to this song throughout its various live performances.  Of course, being on the Elton John album, this song contained a vast string arrangement.  I believe, however, that the way Elton performed this song stripped down with the three piece band at the Troubador Club in 1970 is one of the major reasons that he truly broke himself as such an over-night sensation in America.  I chose to play the song similar to that arrangement, stretching the solos between the verses and varying the intensity of the song from start to finish. 

Bernie Taupin’s lyric is about an old war vet, who is lonely but unwiling to perpetuate his isolation.  The music wraps itself beautifully around this haunting lyric.  At Elton’s 60th birthday concert at Madison Square Garden, he opened with a brilliant rendition of this song, and shared with the audience that when he first wrote the song, he never could have imagined actually playing it for tens of thousands of people on his 60th birthday.  And Elton John certainly has not had a lonely existence in his more than 60 years of life.

I hope you enjoy my rendition of Sixty Years On.  Keep your eyes peeled for the next few vlog postings as they should be coming pretty rapidly.  Border Song and The Greatest Discovery are recorded and ready to go.  Thanks as always for having a look at the vlog.

Who’ll walk me down to church when I’m sixty years of age
When the ragged dog they gave me has been ten years in the grave
And señorita play guitar, play it just for you
My rosary has broken and my beads have all slipped through

You’ve hung up your great coat and you’ve laid down your gun
You know the war you fought in wasn’t too much fun
And the future you’re giving me holds nothing for a gun
I’ve no wish to be living sixty years on

Yes I’ll sit with you and talk let your eyes relive again
I know my vintage prayers would be very much the same
And Magdelena plays the organ, plays it just for you
Your choral lamp that burns so low when you are passing through
And the future you’re giving me holds nothing for a gun
I’ve no wish to be living sixty years on

© 1969 Dick James Music, Inc.

Todays posting is the fifth song and the last song on side A of the Elton John album, First Episode At Hienton.  This song has always been one of my absolute favorites from the Elton John album.  I have always loved the songs that seem to meander through a descriptive tale and musically emote what the subject is feeling.  First Episode At Hienton is a perfect example of one of Elton’s more emotive pieces with its highs and lows throughout the loosely structured lyric.

The lyric is about a man and woman, named Valerie, who have had some kind of love affair and later grew apart.  Valerie has grown up and moved on from the affair, but it seems the subject is struggling with letting go.  This song, along with many others of Bernie’s, showcases his great ability to paint a picture with words that gives us something akin to a five-minute movie. 

Musically, similar to several other recordings on the Elton John album, Elton wraps his piano in a vast string arrangement provided by Paul Buckmaster.  The song starts very quietly with only piano and moves through gradually gaining momentum.  The peaks and valleys of the song reflect the subjects emotions and comes to a close quietly again with only piano.  I am quite proud of the recording I have put together for First Episode At Hienton.  I elected to dub in a track of strings that I arranged and played after recording the piano line.  In the video you will see me only playing the piano part, but you can hear the strings that I laid in subsequently.  If you have the ability, listen to this one with headphones, I think it really enhances the mix.     

In the hustle and bustle of the holiday season, I hope you all have slowed down to listen to some music.  It has the power to calm and soothe like nothing else.  I want to wish everyone a wonderful holiday season, and I give nothing but my best for the new year.  As always, thank you for the support.  The vlog captured about 120 views through the month of November, but has drastically shot up to more than 350 views in the month of December.  Thank you, thank you, thank you for your support and I promise to continue creating to the best of my ability in the new year.  Enjoy!

I was one as you were one
And we were two so much in love forever
I loved the white socks that you wore
But you don’t wear white socks no more, now you’re a woman

I joked about your turned-up nose
And criticized your school girl clothes
But would I then have paced these roads to love you

For seasons come and seasons go
Bring forth the rain the sun and snow
Make Valerie a woman
And Valerie is lonely

No more to roam on the snow hills of Hienton
Undecided with the guardians of the older generation
A doormat was a sign of welcome
In the winter months to come
And in the summer laughing
Through the castle ruins we’d run

For the quadrangle sang to the sun
And the grace of our feeling
And the candle burned low as we talked of the future
Underneath the ceiling

There were tears in the sky
And the clouds in your eyes were just cover
For your thighs were the cushions
Of my love and yours for each other

The songs still are sung
It was fun to be young
But please don’t be sad where e’er you are

I am who I am
You are who you are
Now Valerie’s a woman
Now Valerie’s a woman
Now Valerie’s a woman

© 1968 Dick James Music, Inc.

Musically, the song is a straight-forward country number in 6/8 time. 6/8 time is a time signature that Elton has not frequently used. However, he has often used country stylings in his music, showing his utmost respect for the genre. This song seems like it would have fit better on Elton’s follow-up to his self-titled album, Tumbleweed Connection, which was a tribute/concept album about the American West. It may be why this gem of a country song really didn’t shine amongst an album of mostly singer-songwriter pieces backed by vast string arrangements.

The country-style of this song wraps itself perfectly around the lyric. I can just picture a woman driving around some Texas town in her “big red Cadillac,” using the men around town as she so pleases. The is probably the first of many songs that Bernie would write about rather sexually active women (for lack of better terms); however, one might argue that many of Bernie’s lyrics with similar themes have bordered on sexism or chauvinism. None-the-less, Bernie once again does a great job of telling a colorful tale.

I hope you enjoy my rendition of No Shoes Strings On Louise.

Lady love rides a big red Cadillac
Buys the hoedown show salt and beans
Goes to church to pray for Lucifer
She milked the male population clean

So ride in line shake yourself by the hand
Live your life inside a paper can
But you’ll never get to pick and choose
She’s bought you and sold you
There ain’t no shoestrings on Louise

Come on down, come on down from the ladder
Henry get your head, get your head out of them clouds
What she wants is to go kissing on a swine herd
You might as well kiss the boss man’s cow

All those city women want to make us poor men
And this land’s got the worse for the worrying
I got married at the early age of fourteen
And I’ve been worrying about the way you’ll be loving them

© 1969 Dick James Music, Inc.